This piece is from several weeks ago. It was painted over a few weekends. It seems to be from a more wordless place than usual, to me, so I have little to say about it. Watercolor - 19 x 19 inches. Click on it for a larger view.
The Cherry Dryad which Grenouille mentioned in the previous post, is all but finished and signed. I'll show her later. The commissioned piece has inspired me to try several more dryads. Like the patron, I've long been fascinated by the subject, though I had not thought to paint it. I also got interested in caryatids, and drew them in highschool and college.
Friday, December 14, 2012
Sunday, December 2, 2012
Oui, une autre Grenouille
C'est moi, Grenouille, the "frog" authentique. This is a painting Etienne kept for months on his table. It is not a portait - I am not the subject. For one thing I am not "green," though it is a color tres charmant. For another, my hands and feet are tres chic. Whereas these - ils sont ridicules.
It was très drôle to see such a large grenouille caught in the moment of leap. But at last Etienne has finished it and it has vanished within the large portfolio that swallows all of the paintings, including a small portait of moi.
Now he is painting a dryad naïf with hair and fingers of boughs of cerise. The blossoms. Her figure shows the influence of Etienne's time before the models. The dryad has closed her eyes to her own beauty, or to miss the chance of flying petals.
Perhaps he should have spent more time before "frogs." This compatriote shows not all of his "bone hints" as Etienne says. I was no service to him as I have not one bone, being made of céramique. I am more firm than bone, oui? I am stone. So unlike the word beneath the feet in this painting, which is more like sponge, soft from the pond.
While the size of this "frog" is fantastique (the painting is a square of 48 centimetres - 19 of your pittoresque inches) the way it is holding the hands is not bizarre. Etienne did his "work of the home" prior to lifting the pencil, et oui, that is what happens to the hands of some grenouilles when we leap. Perhaps to make us more aérodynamique?
Au revoir.
It was très drôle to see such a large grenouille caught in the moment of leap. But at last Etienne has finished it and it has vanished within the large portfolio that swallows all of the paintings, including a small portait of moi.
Now he is painting a dryad naïf with hair and fingers of boughs of cerise. The blossoms. Her figure shows the influence of Etienne's time before the models. The dryad has closed her eyes to her own beauty, or to miss the chance of flying petals.
Perhaps he should have spent more time before "frogs." This compatriote shows not all of his "bone hints" as Etienne says. I was no service to him as I have not one bone, being made of céramique. I am more firm than bone, oui? I am stone. So unlike the word beneath the feet in this painting, which is more like sponge, soft from the pond.
While the size of this "frog" is fantastique (the painting is a square of 48 centimetres - 19 of your pittoresque inches) the way it is holding the hands is not bizarre. Etienne did his "work of the home" prior to lifting the pencil, et oui, that is what happens to the hands of some grenouilles when we leap. Perhaps to make us more aérodynamique?
Au revoir.
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