When I began tap dancing lessons, about three months ago, I felt as well equipped for it as a bowl of ice cream. Well maybe a little better equipped - I did own a brand new pair of tap shoes, bought the week before class.
I could not hear rhythm correctly (up beat? down beat?), couldn't keep count, couldn't move my feet in time with the beat I couldn't hear right, couldn't follow what the teacher's feet were doing,couldn't remember three steps in a row (when I learned the third one the first one popped out the back of my head, when I learned the fourth step the second popped out the back of my head... I felt like one of those Play-doh machines with tap steps going in my eyes and being extruded out the back of my head, only two steps actually in the machine at any one time), couldn't balance on one leg, and couldn't relax and let things just happen. Actually that last one is where the bowl of ice cream had me beat, regardless of the tap shoes.
In school I was usually a teacher's pet, always on top of the homework, usually the best grades on the tests... it came fairly easy to me. Except "Gym Class" (called PE, these days). There I was one of the two or three worst boys in class. Tap felt disturbingly like gym class, where my intelligence depth was somewhere between shallow and drought. Could I approach tap with a few deep breaths and good humor and try to just enjoy it?
Fortunately I've had a few recent things prepare me for this public display of ineptitude which gave me hope of eventually improving or at least of enjoying it and devil take the opinions of others (and of my incessant inner critic). One was buying a somewhat finicky stick-shift growly beast of a car (an Infiniti G37S coupe - my Anginetti, named for an Italian cookie (though she is no lemon)). I love her and love driving her, but I'm not great at it and that doesn't matter a bit. The other was taking up Tai Chi (my way) and finding that with practice things start to make sense that made NO sense to me when I started.
So I found that with some remedial work, with encouragement from my wife and son (who had gone through the session before me, and were repeating along with me this time), and mostly with a great teacher who is quite aware of how hard it can be for adults to feel lost in something new, I've been gradually getting it.
It's like discovering a new country - or maybe more like finding yourself on the outskirts of Venice when all you've done previously is hear about it. I love it. It makes me feel deliciously younger, playful, gleeful, even. I went to the local lumber yard and bought a sanded plywood sheet to keep under my studio workbench and slide out for an instant tap floor. It's all scuffed up already with all the "dig" steps I've practiced.
I have so so so far to go before I sound anything like a tap dancer - but I see how to get there and I'm not in a hurry. I want to see every window box, smell every rose, and listen carefully to the song of every gondolier I pass on the way into the deeper regions of this Venice.
Thursday, April 5, 2018
Tuesday, April 3, 2018
I think it's time to blow the dust off the door to Color Sweet Tooth, and open back up.
I feel a strong urge to go back to the era of blog posts, and longer, thoughtful contributions to the online world. Twitter, Instagram, Tumblr, and Facebook are like a continuous diet of popcorn. I'm wanting something more substantial. And I feel that the major Internet engines, particularly Facebook and Google, are constricting our view of the world and of the Internet, showing less that is simple and solid and good and whittling everything down so all that remains is what's most lucrative for them or what they claim is the most popular.
So I'm thinking of connecting the old way to a network of blogs, with chains and webs of links from posts and websites - a network without the major search engines and the precooked, commercially curated social media platforms, and reading what I find the old way: word of mouth and connections curated by other real people, not algorithms. The algorithms lately seem more and more demented and shallow. I'll link these posts on Facebook, to help others make the trip over here, and I'll keep posting images on Facebook, but I'm going to spend more time over here.
And I'll start by describing my surprise pleasure in starting new things that are really difficult for me. In the last year I've started learning Spanish (not so hard - I took it in high school, so it wasn't really from scratch), Tai Chi (self learning from the Internet and books - fun to go from, "This makes no sense and is surprisingly difficult" to "I feel the chi, and my body is starting to naturally get on one leg") and Tap Dancing (classes with Dear Wife and Oldest, who are one session ahead of me - I found I didn't even know how to hear the beat correctly, much less move my body to it and make music with my shoes). More about all of these in future posts - but the point here is the deep childlike glee I have found in struggling with something new for which I barely have a frame of reference, and for which I haven't even got a good place to start. It's like wrestling with a mountain, getting down on my face in the earth and hugging it tight, laughing, and then, ever so slowly, finding ways to move it. Nothing feels quite like that.
I"m also enjoying the process of going deeper with the things that are past the beginner phase - and maintaining a beginner's mind as much as possible. More on that, later, as well.
I may have found the fountain of youth.
Wednesday, March 23, 2016
Wednesday, March 2, 2016
Since my last posting (several months ago) I've completed over two dozen pastels, but I couldn't get them photographed properly. I need sunlight, so it is an outdoor thing, and the weekends when I might have photographed them either it rained, was too windy, or the sun was too low in the sky. Last weekend I finally got to catch up, even though sporadic breezes still interfered about every third pastel as I worked my way down the stack.
This one seems like long ago now - I really like it.
Tuesday, December 29, 2015
Is anyone else confused and angry that the white rhino now only lives in captivity? This was another unplanned piece, the subject emerging from the depths of the lines on the paper and other depths, as well. The cut-off horns, overalls, and upright posture ("Four legs good, two legs better!") all speak to the forced domestication and the reason for the extinction. The smoke speaks of the wrath and the destruction.
Saturday, December 19, 2015
Friday, December 4, 2015
This pastel initially emerged with another set of eyes in the lower inside corners of the large eyes. I found them impossibly distracting and they made the face disturbing in a way I did not intend - so they are "painted" over with the pastels. This guy is weird enough without four eyes.
This was the first pastel I completed after our October vacation, so nearly 6 weeks ago. The next is also an animal (two, really - it's called "Cousins").